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May 032013
 

1. If you could go head-to-head with any writer, living or dead, who would it be and why?

W. Somerset Maugham so I could yell, “I’m going to kick your ass Maugham,” and everyone would be shocked. But Mom and I, we would know. Yes we would. Cause we’re good like that.

2. WRITE CLUB’s ruthlessly enforced 7-minute time limit: pitiless mockery, or unendurable cascade of anguish?

unendurable cascade of anguish.

3. What works, literary or otherwise, are you currently sharpening your teeth on?

World War Z. I’m moving through with zombie like slowness.

4. You’re contending in WRITE CLUB, you must be pretty awesome. Give a shout-out to someone who contributed to your awesomeness:

Mom. Not Maugham.

5. What handheld weapon would your writing be, were you to wield it in a street fight? (Against the powers of evil, of course.)

The Flail!!!

6. Hey, literary fisticuffer, why’d you choose your charity?

Sick kids break my fucking heart.

7. You are standing over your vanquished opponent. What do you say?

Let’s get a drink.

Extra Credit Question: Take your best guess at the source (or sources) of Viceroy Nick Tecosky’s neuroses.

Agent Orange

May 022013
 

1. If you could go head-to-head with any writer, living or dead, who would it be and why?

I would love to go head-to-head with Stephen King.  He was my greatest literary influence growing up, and his book On Writing is one that I’ve read every year since it came out.  I would love to sit down and have it out with him regarding process, what inspires him to write and how he deals with the influx of ideas, and just get a sense of what he’s really like when it’s just him, the page, and an empty room.  His book tells a little about that, but there’s always more to be said there.  Plus, I think he’d be a hell of a lot of fun to chat with regarding my own work — no doubt he’d have a few notes for me.  And I him.

2. WRITE CLUB’s ruthlessly enforced 7-minute time limit: pitiless mockery, or unendurable cascade of anguish?

Pitiless mockery.  But that’s totally cool; I think every writer who calls themselves a “writer” in polite (or impolite) company must steel themselves for a good old-fashioned ribbing.  There’s always something to prove… even if your words make it onto actual wood pulp.  Maybe even more so then.  Which makes the triumph over those staring down their noses at you all the more fulfilling.  If, that is, you can pull it off…

3. What works, literary or otherwise, are you currently sharpening your teeth on?

I’m currently reading Eat Pray Love.  I’ve never been big into memoir, but my current project is a fiction memoir, and this book sort of chose me.  Elizabeth Gilbert has a beautiful voice and her style is so candid and naked that I can’t help but love her and be drawn into her experiences.  I admire her writing.

4. You’re contending in WRITE CLUB, you must be pretty awesome. Give a shout-out to someone who contributed to your awesomeness:

A shout out from me MUST go to:  my best friend Mikki.  Remember this name:  Mikki Daughtry.  She’s a screenwriter in LA who’s *this* close to breaking it big.  She’s got two agents, a manager, and several scripts that always knock my socks off every time I read them.  She’s SO talented — makes my prose look like a monkey trying to fuck a football — and she’s also my greatest champion.  Her pitiless question to me:  ”Is your ass in that chair?  Why not?”  And believe me, any writer does NOT want to be on the bad end of that question.

5. What handheld weapon would your writing be, were you to wield it in a street fight? (Against the powers of evil, of course.)

It would be a pearl-handled switchblade.  Pretty if you look at it in the light — and not very imposing against some weapons — but honed to a lethal edge.  If the powers of evil aren’t careful, they would definitely find themselves bleeding from five different places before even seeing me move.

6. Hey, literary fisticuffer, why’d you choose your charity?

I chose my charity because I love animals and hate to see them treated with cruelty.  Makes me want to whip out that switchblade.

7. You are standing over your vanquished opponent. What do you say?

Thanks for giving me a good fight.  Wanna grab a beer?

Extra Credit Question: Take your best guess at the source (or sources) of Viceroy Nick Tecosky’s neuroses.

In order to justify his own awesomeness, he had to develop neuroses to appear more human in front of mere literary mortals.

 

May 012013
 

1. If you could go head-to-head with any writer, living or dead, who would it be and why?

The young Truman Capote of the Harper’s Bazaar years. Impish and charismatic, he’d put on the show of shows. In high spirits after his win he’d spill secrets… antics of the literary circle in 1940’s New York; the hows of creating his vital characters, rich imagery, perfect metaphors.

2. WRITE CLUB’s ruthlessly enforced 7-minute time limit: pitiless mockery, or unendurable cascade of anguish?

Unendurable cascade of anguish. Sure to be the longest seven minutes of my life. Well, maybe not counting the last push in birthing my first child.

3. What works, literary or otherwise, are you currently sharpening your teeth on?

The Tender Bar by J.R. Moehringer, Stephen King’s On Writing, Mockingjay by Suzanne Collins.

4. You’re contending in WRITE CLUB, you must be pretty awesome. Give a shout-out to someone who contributed to your awesomeness:

The late Michael Belluomo, publisher of Sportswear International magazine. He provided my first chance to write as a professional for the apparel industry. He was a generous and encouraging mentor to whom I will always be grateful.

5. What handheld weapon would your writing be, were you to wield it in a street fight? (Against the powers of evil, of course.)

Bow and arrow. Heck, it works for Katniss Everdeen. And blood makes me squeamish, so slaying my prey from a distance is appealing.

6. Hey, literary fisticuffer, why’d you choose your charity?

For victims of domestic violence, leaving may not be possible without support.

7. You are standing over your vanquished opponent. What do you say?

An honor to battle, worthy adversary. Let’s wipe off the sweat and head to the bar. Beers on me.

Extra Credit Question: Take your best guess at the source (or sources) of Viceroy Nick Tecosky’s neuroses.

His obsession with horror. A result, no doubt, of having Jessica Lange for a mother and haunting a big, old house packed with mournful, lost souls for eternity.

Apr 302013
 

1. If you could go head-to-head with any writer, living or dead, who would it be and why?

Maybe Gary Shteyngart, but he’d kick my ass. Super Sad True Love Story is the book I wish I could write.

2. WRITE CLUB’s ruthlessly enforced 7-minute time limit: pitiless mockery, or unendurable cascade of anguish?

We’ll find out!

3. What works, literary or otherwise, are you currently sharpening your teeth on?

Flimsy Little Plastic Miracles by Ron Currie Jr. He’s an acquaintance and his first two novels were awesome. It’s been cool to see his career take off. Check him out!

4. You’re contending in WRITE CLUB, you must be pretty awesome. Give a shout-out to someone who contributed to your awesomeness:

My older sisters, only because they used to make me do their English homework.

5. What handheld weapon would your writing be, were you to wield it in a street fight? (Against the powers of evil, of course.)

Nunchucks: controlled chaos.

6. Hey, literary fisticuffer, why’d you choose your charity?

The Beltline has the opportunity to bring different communities together in a really unique way, get people outdoors, showcase artist, and help improve Atlanta’s atrocious traffic problem.

7. You are standing over your vanquished opponent. What do you say?

The End.

Extra Credit Question: Take your best guess at the source (or sources) of Viceroy Nick Tecosky’s neuroses.

I don’t know him personally, but I’m going to go with ‘daddy issues.’

 

Apr 292013
 

1. If you could go head-to-head with any writer, living or dead, who would it be and why?

I’ve been ruthlessly biting my style directly from Spalding Grey for years, so I’d want to go toe-to-toe with the master. He would destroy me, though, with some great piece about what Heaven is like and how it reminds him of when he locked himself out of his apartment or whatever.

2. WRITE CLUB’s ruthlessly enforced 7-minute time limit: pitiless mockery, or unendurable cascade of anguish?

Did I use “ruthlessly” just now because you put it in my head? Probably. I’m not changing it because it’s the correct word.

Total anguish: I’m overly verbose. I usually do hour long solo shows, so it’s been a real challenge to shrink my “sprawling exploration” thing down to 5 minutes or so at other reading series around town. I just know I’m gonna blow it and have the buzzer go off before my killer final line.

3. What works, literary or otherwise, are you currently sharpening your teeth on?

I can’t stop listening to the new Kendrick Lamar. That kid is fucking dope. Just been alternating between King Kendrick and the new Yo La Tengo lately. And watching West Wing on Netflix. And I keep a collection of David Foster Wallace essays on my nightstand because of course I do, ugh, I’m the worst.

4. You’re contending in WRITE CLUB, you must be pretty awesome. Give a shout-out to someone who contributed to your awesomeness:

My parents are really awesome. My brother and I were the only artists to come out of a fairly large Mexican family and my parents, god bless ‘em, just rolled with it, even when it got weird and performance art-y. I can’t imagine that my father, in his wildest dreams, would have thought he’d be videotaping his son in tights singing songs from Cats or screaming profane gibberish about ghost pirates with huge dongs. But he was there, front row, with the video camera every time.

My mother tells me she can feel it when I’m about to go on stage somewhere — she says she feels nervous for me. “What if this is the one where they turn on him??” Really hope Write Club isn’t the one!

5. What handheld weapon would your writing be, were you to wield it in a street fight? (Against the powers of evil, of course.)

A big-ass whip with a razor on the end. Yeah! Just think of it, man!

6. Hey, literary fisticuffer, why’d you choose your charity?

The Leigh Bess Boone Foundation encourages volunteerism and internships in the performing and visual arts by awarding stipends and sponsorships. It was created in the memory of a dear friend of mine who loved volunteering for local arts organizations (in addition to a million other arts-related gigs and pursuits. She SM’d for Robert Wilson and worked on operas and traveled the world. She was the shit and she had the best laugh in history.)

7. You are standing over your vanquished opponent. What do you say?

“TASTE MY WRATH, SIMPLETON!” And then the next day, after the adrenaline wears off, I feel really guilty about it and hope they’re doing OK and maybe follow them on Twitter or find them on Facebook to check up on them and apologize and obsess over that look they gave me after the bout.

Extra Credit Question: Take your best guess at the source (or sources) of Viceroy Nick Tecosky’s neuroses.

I don’t know the source, but for a wild change of pace he might try “sleeping” for a change. Couldn’t hurt.

 

Apr 242013
 

At first, I think the cat has farted. I’m sitting on the couch watching Lost on DVD, halfway through my first episode of the evening, when I smell it. It’s smothering and hot, a sweet-rotten earthy scent. I lean against the arm of the couch and wrinkle my nose.

“Jones?” I call out to the cat. “Jones, are you sick?”

I look around. It wasn’t Jones. The room is empty, silent, foul.

“Ugh.” I feel like I’m sitting in a cloud of cabbage sweat, like I just swam into a warm patch of pee in a cold swimming pool. I’m going to have to do something about this.

I sigh as I push myself up off the couch, tired of this task already but resigned to doing it. Work was low-impact but mentally exhausting as always, another day of mindless pencil-pushing behind high cubicle walls at my third-choice job. It was Wednesday, so I’d eaten my Chinese take-out on the porch with a half bottle of Gato Negro Merlot, then parked on the sofa to shut off my brain and gorge on crap TV.

I slouch over to the kitchen to check the trash. Empty, save my half-eaten container of lo mein. There are no dishes in the sink, and the dishwasher was run this afternoon, so there’s nothing weird or smelly in there. The sand of the litter box is still smooth from when I’d cleaned and refilled it this morning.

“Jones?” I call. I bet he dragged in a dead scorpion or mouse from the desert outside. I tap my finger pads on the kitchen counter, the sound echoing through the house. It still isn’t fully furnished, though I’ve been living in it over a year. I remember noticing, even when I bought the thing, the cheap construction. It’s a small A-Frame in Stratford Estates, a semi-deserted suburban cluster in the heatherfields south of Gilbert.

In those days, buying a house in the farthest reaches of metropolitan Phoenix hadn’t seemed so crazy. My house was just inside the mountains that ring the city, near the outer limits of where the people live before the desert starts in earnest, but not so far out that you’re likely to stumble across a backpack full of decaying human body parts. The city will grow out to you, they’d said.

I can see a section of the San Tan ridge from my sliding-glass patio doors, though my yard is little more than a concrete slab surrounded by dust and dead weeds. Everyone’s yard looks like that now. There’s no HOA to fine you for not maintaining green grass, and, even if there were, there are so few of us in the subdivision that we’d all be board members anyway.

I sniff the air and move out from behind the bar that separates the kitchen from the dining room and living room, not rooms so much as areas denoted by the types of flooring beneath them. I just had the flooring done recently, the first big investment I made in my new home. The dining room has a nice white linoleum tile that squishes a little under your feet, which for some reason I like. The floor is clean, and I admire the perfect, fingerprint-free shine on the round glass dining table that I never sit at. The smell seems not to be in here, so I move back to the couch, bend over, and take a deep breath.

“Ugh, Jesus God Fuck,” I say out loud, to no one. Found it.

I slide the couch across the wood laminate floor. One of its legs scratches a deep, arcing groove as it moves. “Goddamn son of a cunt bitch fuck,” I say. I find this development extremely upsetting, probably more so than I should, but seriously even cheap floors are still expensive, and installing those damn things had been a headache as is.

Then, the odor hits me in the face like a bowling pin and I’m too disgusted to care about the scratch now. I look down. There’s a spot on the floor. It’s tiny, it’s black, and–is it bubbling? It’s the size of a pinhole, and it smells like beer diarrhea. I stare, fascinated. I squint and lean a little closer, placing my index finger an inch above it. I feel a minute sucking of air into the hole, then a slightly stronger exhalation. Is it…breathing?

I jump, arching back away from it without moving my knees. What the fuck? That didn’t just really happen, did it? I stand up and stomp into the kitchen to get some rubber gloves and a sponge. This little black rot on my new hardwoods simply won’t do. It has to go. Clorox in hand, I turn back to the living room. A trick of the light or my mind makes it look like the spot is bigger. It seems to have grown to the size of a quarter.

I kneel and study it again. I reach out with the sponge to swipe at it, but it’s growing in front of me, expanding, a living thing consuming the floor I installed less than a month ago. Ew. This is going to be a gross cleanup.

I scrub at it, throwing my shoulder into the work. Why is this stuff not coming up? It’s just smearing all over the–oh, God. It won’t stop spreading.

I scream and fall back on my butt, kicking myself away from the mess, dripping bleach cleaner from my gloves onto my shirt. Shit. There’s a thud on the floor behind me and I jerk around, twisting from my spine to see what it is.

“Oh, it’s just you. Jonesie, go back in the room, sweetie,” I say. He paces, keeping his eyes on the black death expanding on the floor in front of us. He hisses, arches his back, digs his claws into the floor, then bolts for the kitty door and is gone.

My dark predicament is growing. The couch shifts in front of me, and I can hardly breathe. The hole is blacker, and foaming, and huge. It’s swallowing the floor under a corner of the couch. It sucks in the coffee table, sending the Gato Negro and the DVD case tumbling into the abyss. It’s so large now, I can’t reach the other side of the room without touching it. It’s moving, this thing. It’s alive.

My foot falls an inch or two, a myoclonic jerk, as the floor underneath it disappears. I yank my leg back and stand, gasping at the growing enormity of this big rotten thing I found. The floor underneath me collapses as the house begins sinking into its foundation, swallowed in a whirlpool of rotten death. I fall forward toward the muck and watch as my lower body disappears. I’m sinking. As my shoulders drop below floor level, I catch one last glance at the yawning expanse where my living room was. These floors are going to be so expensive to replace.

 

Hear Kat Greene’s past Write Club bouts here and here. Read her past submissions here and here.

Apr 082013
 

1. If you could go head-to-head with any writer, living or dead, who would it be and why?

E.L. James. And I wouldn’t go head-to-head with her. I would just head-butt her and be done.

2. WRITE CLUB’s ruthlessly enforced 7-minute time limit: pitiless mockery, or unendurable cascade of anguish?

Neither. A Medieval gauntlet thrown down on the blood and piss soaked Agincourt field of my brain.

3. What works, literary or otherwise, are you currently sharpening your teeth on?

I recently encountered B is for Bad Poetry. Everyone must have this.

4. You’re contending in WRITE CLUB, you must be pretty awesome. Give a shout-out to someone who contributed to your awesomeness:

Shout out to Jane. Austen that is.

5. What handheld weapon would your writing be, were you to wield it in a street fight? (Against the powers of evil, of course.)

A sonic cannon. Like my writing, it makes your ears bleed when you hear it.

6. Hey, literary fisticuffer, why’d you choose your charity?

Out of Darkness rescues trafficked women out of prostitution. BAD. ASS.

7. You are standing over your vanquished opponent. What do you say?

I guess we’ll all find out together when I say it.

Extra Credit Question: Take your best guess at the source (or sources) of Viceroy Nick Tecosky’s neuroses.

An extended and tragic hiatus from narrating audio books.

 

Apr 082013
 

1. If you could go head-to-head with any writer, living or dead, who would it be and why?

My opponent, Lindsay Muscato!!!  Because she writes in support of stealing!!!!!!

2. WRITE CLUB’s ruthlessly enforced 7-minute time limit: pitiless mockery, or unendurable cascade of anguish?

pitduring mockuish of cascadery!!!

3. What works, literary or otherwise, are you currently sharpening your teeth on?

The X-Men and Joseph Ceravolo’s Collected Poems!!!!!

4. You’re contending in WRITE CLUB, you must be pretty awesome. Give a shout-out to someone who contributed to your awesomeness:

Gina Myers, Laura Straub, Lauren Traetto, Amy McDaniel, Jamie Iredell, Molly Brodak, Blake Butler, and everyone in the Atlanta Writing Community!!!

5. What handheld weapon would your writing be, were you to wield it in a street fight? (Against the powers of evil, of course.)

Chinese melon hammers.

6. Hey, literary fisticuffer, why’d you choose your charity?

Um, because I was asked to, and because charities help people??

7. You are standing over your vanquished opponent. What do you say?

I’m so sorry!!!  Your charity was really awesome too!!!!!!!

Extra Credit Question: Take your best guess at the source (or sources) of Viceroy Nick Tecosky’s neuroses.

Being dropped on his head when he was a baby.

 

Apr 082013
 

1. If you could go head-to-head with any writer, living or dead, who would it be and why?

Thomas Jefferson is my default person for questions like this, because he’s #1 on my ‘dead people I’d like to meet’ list. And the reason is because I’m a Tea Party patriot.

2. WRITE CLUB’s ruthlessly enforced 7-minute time limit: pitiless mockery, or unendurable cascade of anguish?

Oh… I wish the time limit were one minute. Then the challenge would be to write the most awesome one-word essay in the history of man. Since my topic this week is ” sick ” I’d respond with ” illin’ ”

3. What works, literary or otherwise, are you currently sharpening your teeth on?

I’ve been reading a mix of Hollis Gillespie, Chuck Klosterman and Chelsea Rathburn. Trying to find that perfect mix of snark and sincerity. All three leave me humbled. Also, I always try to squeeze in a reading of the Charles Portis classic ‘Dog of the South’ every six months or so.

4. You’re contending in WRITE CLUB, you must be pretty awesome. Give a shout-out to someone who contributed to your awesomeness:

Josh Jackson and Nick Purdy over at Paste Magazine. And Suzanne Van Atten formerly of Creative Loafing (now at the AJC).

5. What handheld weapon would your writing be, were you to wield it in a street fight? (Against the powers of evil, of course.)

A jar of really smelly farts.

6. Hey, literary fisticuffer, why’d you choose your charity?

Living Walls, because I have always believed that really well done public art is the best way to lift spirits and get people to think outside themselves.

7. You are standing over your vanquished opponent. What do you say?

I’d probably start dancing around and singing that old song “why can’t we be friends, why can’t we be friends why can’t we be friends, why can’t we be friends” to both mock them and to show that there are no hard feelings.

 

Why Can’t We Be Friends (War):

http://www.youtube.com/watch?v=5DmYLrxR0Y8

 

 

Mar 212013
 

“Things are rough all over,” is a bitter pill to swallow, especially if it isn’t mashed up in a plate of tuna fish first.

I was born the runt of a litter of eight on the gritty streets of Athens, Georgia. We’re talking the s-kid row stays in the picture here. My dad was the one-fourth brother/uncle of the local drug lord Bugsy “Maine Coon” Mugsy, so it was doomed that my brothers and sisters and I would go into the “family” business. So, while most moms read bedtimes stories to and licked the haunches of their nursing kittens, MY mom taught us volumetrics and how to calibrate milligrams on a “jeweler’s scale.”

As soon as we could walk, we became drug runners, delivering dime bags of catnip to the alley clowders at night under dimly lit streetlights in exchange for whatever tradable currency was hot on the black market: c-notes, yarn balls, Whiskas, rubber bands, insert-a-treats, feather teasers, felt mice, you name it.
Bugsy’s cut, however, left us little more to scrape by on. While he lived in a huge, five-tiered cat condo with wall-to-wall-to-ceiling-to-floor carpeting, wide open entryways, a built-in corrugated scratcher, detached perch with Berber cushioning — atop a wooded hill behind the highly coveted self-recycling, mother load of leftovers Wal-Mart dumpster —

—- WE squeezed ten-to-a blown-out tractor tire behind an abandoned battery factory. We lived off crabgrass and titmouse droppings, scrounged through trash cans and lapped up the polluted puddle water from old, disintegrating double AA’s. When I was four-weeks old, my sister was snatched into the talons of a Turkey Vulture right before my very eyes as we tried to tear the last remaining flesh from a fresh road kill.

I knew deep down That I wasn’t meant for this busted life of crime and beggary. For most of my siblings, thuggery came naturally. But I was a born poet, an artist. I would regularly sneak off in the middle of our afternoon catnaps to read the works of Catlil Gibran, William Shakespurr, and Virginia Wolfhound. To drink rat pee, or not to drink rat pee — That was the question. And I, whose soft paws were meant to hold a paint brush, not a water pipe, knew the answer.

And then it happened. I was nine weeks old. One day, while five of us were walking back from an ouncer deal in the Thomasina turf (the side of town where hooked suburban house cats lived!), a car turned the corner and nearly ran us down.

The brakes screeched to a halting stop. Floodlights blared like laser beams. My brothers and sisters ran into the gutters, but I stayed frozen in place. A giant human silhouette emerged from the car. Its hand reached down and picked me up by the back of my neck, like my mom used to do before her gums rotted out by Nip mouth. I was instantly lulled into complacency, limp and helpless. The human, a female, put me in the back seat of the car and started the engine. Something about her smell…. It reminded me of cedar nettles and the fatty acids of almonds — and I fell asleep. In no time, I was de-wormed, debriefed on my new life as a domestic short hair named Poppycock, and de-sexed. (FOR THAT, my human caretaker Nico threw me a Poppycock-less party, the first of many celebrations in my honor)

My life went from dime bags to riches; a warm, cotton clad lap of luxury that makes Bugsy Mugsy’s life look like eight mile. Nico stays five steps ahead of my every need, even needs I never knew I should have: like bottled spring water, cashmere blankets, and hairball preventative food.

I’ll never forget where I came from. Like J. Lo says — “Don’t be fooled by the rocks that I got. I’m still Jenny from the block.” But, I’m also never going back.

poppyboy

 

 

 

 

 

 

 

 

 

 

 

 

Check out Nicole’s submission from the letter writing prompt here and her WCA bout here.

 

Mar 202013
 

Things are rough all over. Like a shark skin condom. Shit’s falling apart all over the place and there’s no one left unscathed by it.

Mom talks about the old days when times were simple and people were honest. She fondly remembers the British Invasion and driving wild through Saturday nights in the bucket seat of Detroit muscle, steel and rubber. The sepia has seeped through and encased that bygone Americana in air-tight amber. Free from the horrors of the Draft and the fire drills under the school desk, listening for an end that didn’t come.

She grew up poor and proud. Her grandmother raised chickens on a tiny patch of grass she called a farm out in the middle of nowhere between Atlanta and Birmingham. It had an outhouse and a well.

To her America used to be good; not like now, with all the killing and evictions and nightly news anchor scowls. The sense of home she had burned down by the arson of reality. I’m jealous of her, though; here’s no home in my mind to be lost. No mental safety blanket of a great and beautiful can-do country with moral heroes standing tall as gods pointing to the horizon and the fried egg sunrise. All I can see is Tower Two getting bitch-slapped down before my eyes and meager little greedy green army men playing in the rubble of my 20s.

But, you know, I deal. We all deal. However, when I think about it and oversimplify it a bit the thought of that little patch of grass with the outhouse and the well doesn’t sound too bad. If it has wifi I’ll consider it.

You see: that shark skin is smooth going in and sharp coming out, but one day it’s going to tear.

 

John Pruner is a local Atlanta filmmaker who likes to make new friends and collaborators. Hit me up on Facebook or Twitter @johnpruner, and let me regale you with my irrational love for Back To The Future. 

Mar 192013
 

I lie to myself all the time. But I never believe me. Sometimes, tho, it’s the only way to get thru the day. It never happened. I’ll just tell myself that each day and maybe one day it’ll be true. But not today. The memory hasn’t faded, hasn’t gotten fuzzy. It’s burned into my brain with a fire that never turns to ash and drifts away.

What am I talking about? What horrible thing have I done that haunts me still. I’ll tell you. Or maybe I’m lying. I do it a lot now.

Lenny and I were walking back from the club, too broke to get a cab and too pissed to get a woman. Even the last call broads took one look and walked out. It was a long walk home, made longer by drunken stumbling down one too many short cuts thru the bad side of town.

The broken sidewalk and dark streetlights weren’t helping us any when a man stepped in front of us. We stopped short, not sure what to do. He pulled out a knife and said in a voice barely above a whisper, “Give me you money.”

I started to laugh, “Money? Shit, we don’t even have cab fare home.”

“Your money, now.”

I looked at the knife and thought, fuck, why not, it’s not like I’ve got a credit card that’s not maxed out. I reached around to my back pocket to get my wallet and saw Lenny doing the same.

I was still fumbling when Lenny pulled out his hand and extended it to the mugger. As the mugger reached out his hand, a blast of sound and a flash of light erupted from Lenny’s hand. Lenny hadn’t pulled out his wallet, he’d pulled out a gun and shot the robber point blank in the chest. The man stood there for a moment, frozen with shock, then collapsed onto the broken sidewalk.

“Shit! Fuck…” I couldn’t seem to get a coherent sentence out. Finally I managed, “Damn it Lenny, what the hell did you do!”

Lenny looked at the gun. “I shot him.”

“I know that,” the adrenalin pumping thru my veins was starting to sober me up, “but why? He’s just some bum looking for an easy score. Why didn’t you just wave the gun and tell him to get lost?”

Lenny stood there for a moment, then put the gun back in his pocket. “Why shoot him?”

“Yeah, why shoot him, why not just run him off?” Lenny just stood there. Maybe he was in shock, maybe he was still too drunk to even know what he’d done.

“I had to shoot him.” He said, his voice sounding strangely calm for a man who’d just shot another man.

“Had to?” was all I could get out.

“Yeah,” Lenny let out a breath like he’d been holding it for a while, “if I just chased him off, he might have circled around and jumped us from behind. I don’t like the idea of getting a knife in my back.” He paused for a moment, still watching the man as his blood spread out and drained into the cracks in the pavement. “And even if he didn’t come back for us, he’d be after somebody else tonight. And I doubt he’d wait to see if they had a gun, he’d just slice them up and search the body.”

“We’d better call the cops. And an ambulance. I think he’s still alive.” I reached for my phone, but Lenny put his hand on my arm.

“No, we don’t need the cops, and he’ll be dead soon enough.”

“We’ve got to call the cops. Everybody on the block must’ve heard that shot. Somebody will call them and it’ll look bad for us when they get here if we don’t.”

“No one here is going to call the cops. Look around. Do you see anybody coming to see what happened? Do you even see anybody looking out their windows. No one cares what happens here. No one wants to get involved.”

I looked up. If anybody even lived in this dump it was hard to tell. The doors were all shut, the windows covered, and not a single light was showing thru the curtains. If anybody was watching us, they were well hidden.

“What about security cameras? They always get the guys on those police shows from the security cameras.”

He laughed a little at this. “Security cameras? Do you see any security cameras? Who’d put a security camera in this neighborhood?”

Lenny stepped back a little as the blood slowly spread towards his shoes. “I did the world a favor. If I hadn’t shot him, he’d be out mugging someone else tomorrow. Maybe some guy with kids, maybe a woman. Who knows how many people he might rob, or even kill. The world’s better off without him.”

The blood had stopped spreading out from the body. Apparently it had all drained out. Lenny looked at the dead man for a moment longer, then pulled his coat closer. “Let’s go, it’s still a long way home.”

I looked one last time at the body and then followed him down the street. After a while we got back to streets with lights and sidewalks. In three more blocks we got to my building. “That’s me.” I muttered, “I’ll see you later.” I went inside, crawled into bed, and passed out.

The next morning I felt sure the cops would be pounding on my door, but nobody came. I checked the news, but it never made it at 6 or 11. So I’ve decided it never happened. Lenny and I went drinking, we got a lot drunk, and the whole thing was just a drunken nightmare.

It never happened. I tell myself that every day. I never saw a man get shot and just stood there and watched him bleed to death. It never happened. Someday I’ll believe it.

 

Check out Wallace’s work from the letter writing prompt here.

Mar 122013
 

1. If you could go head-to-head with any writer, living or dead, who would it be and why?

Gabriel García Márquez.  I’d want a magical realism battle, and I’d expect to be punched so hard in the mouth with his words that I could taste the clay of his genius. Clay and blood and ink and gardenias.

2. WRITE CLUB’s ruthlessly enforced 7-minute time limit: pitiless mockery, or unendurable cascade of anguish?

Necessary. We all love to hear ourselves speak and the decline of editing as a fashionable tool means that we’d all blather on until the audience revolted.  7 minutes is a nice place to panic. It feels good.

3. What works, literary or otherwise, are you currently sharpening your teeth on?

A collection of poetry, which I fully intend to get into the hands of the 13 people that still read poetry, and a collection of essays on a specific theme that I’ll only reveal in person.

4. You’re contending in WRITE CLUB, you must be pretty awesome. Give a shout-out to someone who contributed to your awesomeness:

Mom, Dad, Fiance, cats. It takes a team to wrangle me.

5. What handheld weapon would your writing be, were you to wield it in a street fight? (Against the powers of evil, of course.) 

My brass knuckles (gotten for a NakedCity show), with a bitchin manicure. Reverse french, all the way.

6. Hey, literary fisticuffer, why’d you choose your charity? 

Planned Parenthood.

Support for access to care and education for women concerning their reproductive health. Especially minority and poor women. Our bodies are under attack.I dunno.

7. You are standing over your vanquished opponent. What do you say?

Good show, old girl. Applause is a fickle beast, and you were great. Let’s go have a drink, on me.

Extra Credit Question: Take your best guess at the source (or sources) of Viceroy Nick Tecosky’s neuroses.

The beard? I dunno. He burns bright; that’s gotta make for a jumpy disposition.

 

Mar 112013
 

1. If you could go head-to-head with any writer, living or dead, who would it be and why?

President Reagan’s speech writers.

Should be self-explanatory.

2. WRITE CLUB’s ruthlessly enforced 7-minute time limit: pitiless mockery, or unendurable cascade of anguish?

If I can’t make my point in 5, I shouldn’t be up there.

Your loss if I don’t get to finish.

3. What works, literary or otherwise, are you currently sharpening your teeth on? 

Calvin and Hobbes.

4. You’re contending in WRITE CLUB, you must be pretty awesome. Give a shout-out to someone who contributed to your awesomeness:

Quite honestly and sincerely, I say,

Everybody I know contributes to me.

I either want to be as good, better than, or nothing like you.

5. What handheld weapon would your writing be, were you to wield it in a street fight? (Against the powers of evil, of course.)

A ninja veil.

Never heard of it?

Well. There ya go.

6. Hey, literary fisticuffer, why’d you choose your charity?

Because its for animals.

7. You are standing over your vanquished opponent. What do you say?

Your mom called. She doesn’t care.

Extra Credit Question: Take your best guess at the source (or sources) of Viceroy Nick Tecosky’s neuroses.

Ian Belknap.

Before that, the fear that Ian Belknap may exist.

Mar 092013
 

1. If you could go head-to-head with any writer, living or dead, who would it be and why?

Hunter S. Thompson.  He would undoubtedly destroy me, but there’s the possibility I could convince him to take me out for a night of unprecedented rule-breaking afterwards.

2. WRITE CLUB’s ruthlessly enforced 7-minute time limit: pitiless mockery, or unendurable cascade of anguish?

Pitiless mockery — but I appreciate limits, so I’m not mad about it.

3. What works, literary or otherwise, are you currently sharpening your teeth on?

I’m rereading the Harry Potter series.  Harry just defeated the Hungarian Horntail in the first task of the Triwizard Tournament.  That kid accomplished more by the age of 14 than I have accomplished (or probably will accomplish) in my entire life.

4. You’re contending in WRITE CLUB, you must be pretty awesome. Give a shout-out to someone who contributed to your awesomeness:

My husband, Todd, puts up with a ration of shit from me that would bring most men to their knees, and he generally does so with a smile.

5. What handheld weapon would your writing be, were you to wield it in a street fight? (Against the powers of evil, of course.)

Those badass adamantium claws that come out of Wolverine’s knuckles.

6. Hey, literary fisticuffer, why’d you choose your charity?

Music education is disappearing from schools, and that’s a tragedy.

7. You are standing over your vanquished opponent. What do you say?

“I swear to God, I’m usually a pacifist.  Can I get you some ice for your eye?”

Extra Credit Question: Take your best guess at the source (or sources) of Viceroy Nick Tecosky’s neuroses.

Heavy metal poisoning; probably cadmium, possibly thallium.  I used to beg him to seek medical detoxification, but he got so tired of hearing me rant about irreversible neurological damage that he stopped returning my phone calls.

 

Mar 082013
 

1. If you could go head-to-head with any writer, living or dead, who would it be and why?

Octavia Butler. I wouldn’t win but we’d get one more story from her right?

2. WRITE CLUB’s ruthlessly enforced 7-minute time limit: pitiless mockery, or unendurable cascade of anguish?

Unendurable cascade of anguish as Time Timer strokes its mustache with its hands.

3. What works, literary or otherwise, are you currently sharpening your teeth on?

A series of short non fiction essays about growing up in Mississippi.

4. You’re contending in WRITE CLUB, you must be pretty awesome. Give a shout-out to someone who contributed to your awesomeness:

My cousin Michelle Gipson who told me I could write and I didn’t believe her.

5. What handheld weapon would your writing be, were you to wield it in a street fight? (Against the powers of evil, of course.)

It would be a magic lasso, similar to Wonder Woman’s but more gold.

6. Hey, literary fisticuffer, why’d you choose your charity?

I have a history of breast cancer in my family and Fabulous but Fierce has taken a unique activity and uses it to educate women about breast cancer. A woman that knows her football is the sh- -.

7. You are standing over your vanquished opponent. What do you say?

I’d bend over, look her in her eyes and say, “Girl, let’s go get a glass of wine.”

Extra Credit Question: Take your best guess at the source (or sources) of Viceroy Nick Tecosky’s neuroses.

Maybe it stems from his glasses constantly sliding off his face.

 

Feb 202013
 

Dear Beer,

When I first tasted you, drawing my lips around the lip of the long necked bottle of Bud Light, sipping hesitantly, I didn’t know how deep my love for you would grow.  I could never have imagined the depths of my desire for your golden deliciousness-for your hops, your malts, your unfiltered yeastiness.

I was different then, and I thought I was too good for you.  “Oh, my friends don’t like beer and neither do I.”  I preferred wine or vodka at the time.

Vodka, please.  It’s no surprise that vodka usually ends up at the bottom of the toilet because that’s where it belongs. You can’t develop a stable relationship with vodka what with all the high maintenance mixers and the need for sufficient supplies of ice.  Muddle this, Vodka, I may have liked you once, but I’m glad that you were my first, because there are better drinks out there like beer that aren’t controlling and don’t try to keep me from my friends. I haven’t talked orange or cranberry juice for years after what we all went through.

And wine.  Forget wine!  Wine may look attractive and seem sophisticated but talk about unavailable.  I tried for five years to love you, Wine, joining my local wine club in Berkeley and spending my birthday in Napa or Sonoma.  I even lived in France for a summer but to no avail.  The closer I got to understanding you, Wine, the further away you seemed, what with all your vintages and your geographic specific classification system.  Sure, I may be able to fumble through a wine list now and state a preference, but after five years, I felt like I barely knew you.  And it’s all easier to swallow now that I’m not trying so hard.

Beer, I didn’t love you at first.  You’ve got mass appeal, and when we first met, part of me then wanted to define myself by my rejection of the mainstream.  But there was another part of me that wanted to fit in-a part that delighted in popping back a couple of Bud Lights during the Friday afternoon happy hour with my coworkers.  Drinking Bud Light and Blue Moon during those long hot summer nights, I could tell that there was something there, Beer, but you just seemed like a regular guy, an average Joe.  I could count on you, but where was the excitement, the varietals and the infusions, that the other guys had to offer.

And I struggled to accept you when I ventured outside the mainstream like when I drank that awful winter ale that tasted like a pine tree or when I tried to enjoy an IPA but couldn’t handle the bitterness of your hops. I just never thought it was going to work out between us, but then I moved from California to Wisconsin and realized you weren’t all bitterness even though that’s how you seemed to me on the West Coast.  No, you can be soft and supple, a New Glarus Spotted Cow, strong and assertive, a Bell’s Two Hearted Ale, and best of all you can be sour.  When I tasted my first sour, the aptly named New Glarus Enigma, it sealed my love for you-so tart, so alcoholic-like a vodka cranberry but with the added bonus of carbonation and the absence of a hangover.

Beer, my love for you grew by leaps and bounds the year I lived in Wisconsin as I discovered your many facets.  You were far more complex than I had ever imagined but so much more approachable than wine.  You inspired my fantasies, fulfilled my desires, helped me to relax at the end of a long week or a long day or a short day-really any day-you were there just so comfortable-a lover and a friend.

When I had to move from Wisconsin to Georgia, I didn’t think our relationship could survive the distance.  Skyping wouldn’t cut it.  I need you inside of me, Beer!  Luckily, I found a place just a few blocks from Atlanta’s premier craft beer store, Ale Yeah!, and our relationship has continued to thrive because that store is just so well organized and they have such great beers on tap.  When I go to Ale Yeah!, I get three 32 oz growlers and take them home in my six slotted wine bag from Berkeley.  Those wine bottles were never comfortable to walk home with, but Beer, you just slide right in.

Recently, I read a study, which concluded that people who live closer to bars tend to drink more, but the study authors acknowledged that people who like to drink may choose to live closer to bars.  That’s how reciprocal causality works, Beer, and that’s how our love works.  I moved nearby because I wanted to be close to you, but now my love for you has grown, and I want to drink you even more.

I’d say let’s start a family, but the government has warned me against it.  I don’t know where the coming years will take us, Beer, but as long as it’s not to liver failure, I don’t think anything will keep us apart.

Yours truly,

Temperance B. Damned

 

Sarah Brown, a recent transplant to Atlanta, loves attending and participating in local literary events.  She doesn’t want to be pigeonholed but wouldn’t mind being turkeyholed.

Feb 192013
 

Letter to Myself, to Be Delivered Seconds Before I Shave off My Mohawk in 2005

By Chris Alonzo

WAIT YOU IDIOT STOP WHAT YOU’RE DOING RIGHT NOW. STOP RIGHT NOW. STOP GODDAMMIT! Put the clippers down. Yes, tip the Western Union guy who ran up four flights of stairs to deliver this to you and then put the clippers down and listen to me, goddammit.

Just think about this for a second, man. I know, I know — you really need this job you’re about to interview for and you’ve been living off unemployment way too long, but think about it: you are not getting this job. In what universe are you even a top-ten finalist for this job?

Put aside the fact that you have no experience in the world of ballet (which is no small potatoes in being on the administrative staff of a ballet school) and look at yourself, man. You are not just hungover, you’re still drunk. Like, REALLY drunk. And you can kid yourself about that omnipotent swig of mouthwash, but you haven’t yet figured out to also scrape the tongue, so all those booze cells in your mouth will be back in an hour. You smell like a rummy and you didn’t bother with eye drops because you’re too busy hurriedly shaving the mohawk because you overslept because, again, you are still drunk from all the awesome things you did last night.

Just take a moment here and be brave enough to let this one go. It’s not going to occur to you until much later, until you’re sitting in that office overlooking Union Square and you catch sight of yourself in the mirror, that you look like a psychopath with your head shaved. You look much, much warmer and friendlier with a thin stripe of hair running down the middle of your head. Take that away and you look like you’re applying for this job because you eat ballerinas. You look like you eat ballerinas, and every six weeks or so you take a big garbage bag out of your apartment that’s filled with little shoes and tights. That’s you, dude. That’s you.

Deep breath. Seriously. Look at yourself.

I have a better plan. And, OK, I’m fully aware that I’m making this plan as a 34-year old version of you with the dullest job on Earth, a son, child support payments, car payments, no more bands, no more gigs, no more drugs or sex in bathroom stalls. Whatever.

Here is my big plan: KEEP THE MOHAWK.

It is not a complicated plan, I know. Just, trust me. Keep the mohawk. Actually, not all of it. Cut a few inches off so it’s easier to spike straight up. But keep it, goddammit.

You will never look this cool again. You’ve gone through all the phases: the long goatee thing, the multi-colored dyed-hair thing, the phase where you wore multiple rings and necklaces and looked like a pirate, the three months where your hair was braided. I think we can admit that they were all AWESOME. And now this, the mohawk phase, is coming to an end. After this there is nothing.

After this there is a string of corporate jobs, and you will get sucked in, and you will buy nicer clothes and keep your appearance in check, and next thing you know you will be me. You will be in Kroger with your work badge still dangling from your belt, starched shirt tucked in, tattoos hidden from view, staring at the circular to see if chicken breasts are on sale this week. You will have days like I had today, where you will need a few hours to unwind after work before even thinking about art stuff. And you will look like a dope.

There is no fighting this eventuality. It is coming, and you will need it and all the attendant security. You will have a family to consider. This is your last chance to look completely stupid/awesome, so do it! Do it for me. Even if it’s just for one more month. I know that’s a tall order right now, and you’re nervous about money, but money grows on trees. It is everywhere. Looking cool is a young man’s game, and there’s no going back.

I won’t give you any specific advice about what else to do with your life: we all know from Back to the Future Part II that those sorts of ripples in the space/time continuum lead directly to your mother getting breast implants. But I will tell you that there will be many, many days where you miss the feeling of the cool Brooklyn air on the sides of your shaved head. You will miss people staring at you when you go to the bank.

So stay strong. Tell this job to take a hike. There will be others. Go rouse some rabble, get your ass to your surrogate family in Hell’s Kitchen. Hang out on the roof, drink like a monster, and love everybody like you’re never gonna see them again. Trust me. In the end it’s gonna be worth more than you know.

Keep the ‘hawk; let it fly proud. Now go get a beer out of the fridge. It’s nine in the morning and you’ve got a full day ahead of you.

 

Chris Alonzo is a writer/performer who lives in Atlanta, occasionally with a hilarious toddler. He is the Marketing Manager of the Atlanta Fringe Festival (link:www.atlantafringe.org) whose most recent work, “Has Jimmy’s Dad Ever Been to a Dave & Busters?” was seen as a part of the Collective Project’s The Theory of Everything at the Goat Farm.

Feb 182013
 

Dear Mister Mosca,

It is with a now constantly trembling hand, along with a terrible void where my faith in humanity used to reside, that I thank you for submitting to Blood Red Press.

After careful consideration we have decided ‘When Jesus Fists You, He Doesn’t Pull the Nail out First and 22 Other Poems of Love & Inspiration‘ would not be a good fit for us at this time.

Please accept our mechanically delivered and insincere apologies for the delay in responding to your query. Unfortunately the review of your submission caused  the forcible institutionalization of several interns along with the immediate resignation of three of our assistant editors via self-defenestration. However after an impromptu exorcism was performed over your work, we were able to send it directly to our legal department for a more thorough (and properly quarantined) review.

They have come to the unsettling conclusion that at least twelve of the poems in your collection are in direct violation of the United Nations Convention Against Torture. Also after securing the services of an FBI profiler, they have come to believe that the author of these poems is most likely either a drug addled and mentally challenged sociopath with a grudge against the publishing industry or a computer generated amalgamation of the collective ravings of the criminally insane.

Either way we have been advised to take out a restraining order against you as a precaution. As such you are immediately prohibited from not only submitting any future works to us, but are also forbidden from entering within five hundred yards of either our office or the presence of any employee of Blood Red Press.

Enclosed with this reply you’ll find a copy of  said restraining order along with an itemized bill for all legal and funerary charges incurred during the review of your submission.

Take note as well that we are unable to return your manuscript, as it was promptly incinerated not only by court order but out of a rudimentary obligation to future generations. However we are returning eleven of the twelve ‘pigs in a blanket’ that you included with your submission as ‘an enticement’ to our considerations. This we do so out of spite.

We do however wish you the best of luck in finding a publisher elsewhere. In fact we have also enclosed the addresses of several of our top competitors, all of whom we believe could ‘benefit’ from a purview of your works.

Warm regards,

Eric Beauregard

Sole Surviving Assistant Editor,

Blood Red Press

 

Rob Mosca is an avid collector of rejection letters from the publishing industry and takes a certain pride knowing his queries have made many an editor openly weep. However, his debut novel High Midnight is available from Dark Moon Books and has been cited as possibly the best pulp zombie western you meant to read but never got around to.

Feb 172013
 

Dear ____,

Final thoughts in a Laundromat:

What if I never know someone the way I know you? Never feel such a profound connection with another living creature; experience that sensation of looking in the mirror as I look at them, seeing me you everything in the world as two, one; that chemistry, electrifying, death defying, life affirming energy surging and merging between us.

I didn’t know it was there until it was there again. Never left. Never going; cactus needles on cotton sleeves. You were CHANGING TENSES on me. Drifting out of my present into someone from my past and it had me, has me gasping for air. Where do I go from there?  Staring in a tumble drier clothes turning counterclockwise-MAN,

Get your ass in gear girlie, there’s 3000 miles to go to lick this thing, kick this thing called first love, second-guesses, third times the charm,

What’s the harm in having sex until the day I leave, the day I grieve, the day I sieve through every sound, smell, seismic shift in the center of my soul, severing planets in half, sealing halves into wholes.

I’m going and that’s good.

I’m going and that brings me to my knees for so many reasons I can’t explain: Some pure and gracious and innocent; others selfish and insincere; wanting to save, to be saved, to prove you’re worth it, I’m worth it, mutually benefish-out of water in this loud and lung-filled place.

Coins spill. Motors moan. People stay when all I want is to be alone. To sit with my confusion in peaces. I love you and I’m staring out this window pain into the cold rain as cars barrel by, horns honking, phones ringing, watches banging up against washing machines clanging.

I love you and that’s certain and it’s always been certain, in a mind unsure, a heart unsteady, a spirit stirred by a need to go deeper, to burrow into the marrow, get to the bottom dropping out.

I shudder to think of seeing things without your eyes near me, of letting the memory of your eyes- ON ME – fall away, into were, a blur of blue across the room of sleep.

These are my thoughts — after, during, before, between. I want you to know them, to know how many words are written in your name, how many questions asked, how I can be sitting here, quite un-alone, in a crowded Laundromat drenched in a downy drier sheet scent, wondering how long it will all cling to my heart like lint,

because people don’t say so many things they wish they had, This, you, us — it has been the most meaningful experience in my life, because unlike anything that came before, I went in as far as I possibly could, fighting fear and doubt and an artillery of ghosts and hosts of other ancient histories hell bent on holding me back. The battle I won, and it was so beautiful, so breath-taking and giving AND it will never be, as Brian Eno says, “just another day on earth.”

I’m thrilled and excited, terrified and elated to discover what lies beyond this tiny town, this freckle on the ear of earth where somehow, we found each other in the middle of a moment, a movie theater, a thought shot in a mind divine for stars to cross, paths to ply, lips to kiss, eyes to cry.

Whatever happens in our lives, wherever we wind our minds around this planet, I want you to know that you are a part of me eternal,

a burning scar, a billion smile lines, a row of rings inside the trunk of my tree marking the age of my awakening.

A (French) Toast: To sweeping changes and infinite ranges of possibility.

With all the love in my heart,

 

NR

 

Check out Nicole’s answers to our pre-bout questionnaire here and her previous submission here.